"The Day the Beatles Met Elvis" by John Lennon
When the musicians of the stature like Elvis Presley and the Beatles did meet, the result must have been highly productive one. But how was this one? Did Elvis get out of his kingly image and greet the musical group like a host does to his guests? Be a witness to the golden rendezvous as John Lennon recounts the meeting of two music legends...
e'd tried to meet Elvis during our first tour of the States in 1964, but couldn't make it because of his commitments and ours. But when we came in the summer of 1965 we found we'd be in Hollywood at the same time Elvis was filming there.
And that's how we met Elvis on the night of Friday, August 27, 1965. It still took three days of planning to set up the get together in Elvis's house -- which we hoped would be a secret. But the fans and the press still got wind of it and were there in their hundreds trying to get in, and although we were used to crowds, the thought of Elvis and the Beatles being together at one time just blew the minds of some of the people.
Anyhow, Elvis was inside waiting to greet us. He looked great in black slacks, a red shirt and close fitting black jerkin. He said hello in his quietly spoken way and led us into this huge circular room. We were joined by some his staff as well as Colonel Parker and Brian Epstein. I know Paul, George, and Ringo were feeling as nervous as I was. This was the guy we had all idolized for years -- from way back when were just starting out in Liverpool. He was a legend in his own lifetime, and it's never easy meeting a legend in his own lifetime.
However, Elvis tried to make us feel at home. He sat Paul and me on one side of him and Ringo on the other. George sat cross-legged on the floor. A huge color television was on in the middle of the room with the sound off, while a record player was playing the latest tunes. We could have just walked in on an average Elvis-at-home evening. Elvis obviously liked to treat everybody he met the same, whoever they were. He finally broke the silence that had fallen over the room.
"Look, guys," he said, "if you're just going to sit there and stare at me, I'm going to bed." He smiled, and we all laughed. "Let's talk a bit, huh?" he went on. "And then maybe play and sing a bit?"
That's just what we all wanted to do, and you could feel the tension in the room begin to ease. One of Elvis's staff brought us drinks, but while we all drank scotch-and coke or bourbon-and-Seven Up, Elvis only had Seven Up.
He didn't touch any of the cigarettes that were offered around, either. After a bit Elvis said, "Somebody bring in the guitars." Again one of his men jumped up, and within moments three electric guitars had been plugged into the amplifiers in the room.
Elvis took a bass guitar, and I took a rhythm guitar. Elvis obviously wasn't that familiar with his instrument, so Paul gave him some instructions.
"Here's how I play the bass," he said, strumming a few chords. "It's not too good, but I'm practicing."
George was busy looking over his instrument, and it was a few minutes before he joined in. If I remember correctly, it was Cilla Black's hit record "You're My World" that we first got off together.
After that I said, "This beats talking, doesn't it" -- and we had at last found a way of communicating through music.
Only Ringo looked a bit down. He could only watch us and drum on the side of his chair.
"Too bad we left the drums in Memphis", Elvis said, as if trying to console him.
After a while, Paul put down his guitar and went over to the large white grand piano that stood in a corner by the bar. He began to pick out some notes and we got into one of the Shadows tunes.
While all this was going on, Brian and the Colonel sat chatting at the back of the room. Then they went out into the games room to play some roulette. I think Brian won a bit, and the Colonel lost a little.
Playing the instruments certainly helped us feel at ease with Elvis. After about an hour we stopped and began to talk about the thing we all knew best -- entertaining. In particular, the experiences we'd all had on tour.
"Some funny things happen to you on the road, don't they?" Elvis smiled. "I remember once in Vancouver we'd only done a number or two when some of the fans rushed the stage. It was lucky the guys and I got off in time. They tipped the whole damn rostrum over!"
Paul immediately followed up Elvis's words. "Yes, we've had some crazy experiences, too. I remember one fellow rushed on stage when were performing and pulled the leads out of the amplifiers. Then he turned to me and said, "One move and you're dead."
Elvis replied, "Yeah, it can be pretty scaring at times." I chipped in. "But you're on your own," I said. "At least we've got each other up there. If somebody pushed me on stage and said 'You're on your own' like they do with you, I don't know how I'd cope."
The conversation then moved on to the problem of flying, which Elvis admitted could bother him.
"I once took off from Atlanta, Georgia, in a small two-engined plane," he recalled, "and one of the engines failed. Boy, was I scared! I really thought my number was up. We had to take everything that was sharp out of our pockets and rest our heads on pillows between our knees. When we finally got down safely, the pilot was soaking with sweat, although there was snow on the ground outside."
George told Elvis a similar story about when he had been flying from Liverpool and the window beside him had suddenly sprung open.
"Yeah," agreed Elvis again. "We pay the price for fame with our nerves don't we!"
I also remember I talked to him about cars. Everyone knew how much he loved them, and he'd just got himself a Rolls-Royce Phantom Five. "Snap!" I told him. "I saw it outside. Mine is just the same except I've had all the chrome bits painted black."
It was 2 AM when we finally quit. Elvis had been a great host and gave all of us a complete set of his records. It was a night none of us would forget.
As we were about to leave, Paul said, "Elvis, we'd like you and the other guys to come up to the place where we are staying tomorrow night." "Well, I'll see," Elvis replied. "I don't know whether I can make it or not. But thanks all the same."
He smiled and shook our hands. We never saw him again. It was Elvis's sense of humor that stuck in my mind. He liked to laugh and make others laugh, too. Which was why I put on a Peter Sellers voice again as we walked out of the door and said, "Tanks for ze music, Elvis -- and long live ze King!"
George Harrison on meeting Elvis
Is it true that you guys visited Elvis at Graceland?
Not Graceland, no. We visited him when he had a house in Bel Air in about 1965; we went over to his house and spent the evening with him.
Did you jam?
No. When we arrived at his house, he was sitting on a couch, watching TV, playing a Fender bass. And it was set up pretty good, because it would be a difficult thing, the Beatles meeting Elvis, but it was set up nicely. He had a few of his mates around, and we had our roadies and our manager, and Colonel Tom was there, and the drinks and the pool table... it was just like wandering around, saying "Hello, how are you doing?," having a drink. He was really nice and he was charming, and it was a big thrill for us, meeting him, especially because... well, we looked forward to it, but it was probably up on Mullholland Drive, which goes around and around and around, and we were in the dark, in the back of this limo. We used to smoke these herbal cigarettes in those days, and we had a couple of those and we had the giggles, going into hysterics, and then we totally forgot where we were going or what we were doing. And suddenly, we pulled up at this big gate and we said, "What is it? Where are we? What's going on?" And then somebody said, "It's Elvis!" "We've come to see Elvis!" Somebody opened the door and we all fell out of this limo, just like the Rutles, all giggling, and we ran in the house and there was Elvis sitting there playing this bass.
There've been rumors that you guys jammed together. I guess it was just a rumor.
I think so. But I can't tell you. I've had a lot of brain fades since that period; I dunno, maybe Paul or Ringo would remember. But it was a good night, and certainly a great thrill and an honor to meet him. I met him later at Madison Square Garden. it must have been in 1972, something like that. And at that time, I had my uniform; the worn-out denim jacket and jeans, looked like a rag-man, and I had a big beard and moustache, and long hair down to my waist. They took me back in the intermission to meet Elvis again and he was in the back of the dressing rooms, the big rooms with the showers for the footballers and stuff and I was in the front part just talking to some of the guys. And I'm sitting there, thinking "Well, where's Elvis, then?" And finally he came out of the back and he was... immaculate. I felt like this real grubby little slug and he looked like Lord Siva or something. He seemed to be about eight feet tall and his hair was black and his tan was perfect and he had this big white suit, a gold belt about four feet wide and he was towering above me and I just put a hand out (cowers) and said "Hello, Elvis, how are you? I'm just cowering like this little rag-man. I wanted to say to him, "Why don't you just come out in your jeans and your black shirt,
get rid of all them horrible women singers in your band, all them horrible trumpet players and just have James Burton and the drummer and the bass player and the piano player? Just come out and do "That's All Right, Mama." But instead he came out and did (sings) "I did it myyy wayyyy." Oh, Jesus. But we all loved Elvis and it was sad to see what happened to him. We still love him and he's still there in his spirit and in his music and best of luck to him, that's what I say.